Cinematical

It may not be a celebrity story to rival the endless coverage of Michael Jackson's death, but actor Rupert Grint, who plays ginger-kid Ron Weaseley in the Harry Potter films -- is reportedly recovering from a mild case of swine flu.

Grint's management said that he took a few days off from work on the adaptation of the series' final book, Harry Potter and the Deathly Hallows, which will be released as two movies. The next flick in the franchise, Harry Potter and the Half-Blood Prince hits theaters on July 15.

Swine flu aside, it must be something of a relief for Grint -- along with fellow Potter stars Daniel Radcliffe and Emma Watson -- to be finally seeing the end of the J.K. Rowling gravy train. While the massively popular film series gave the trio instant celebrity and all the opportunities that brings, they've been chained to the Potter films for half their lives. Grint, who was 13 when he made the first film, turns 21 in August, and seems to have made solid choices so far in building his career. Along with a fair amount of British radio and TV voiceover work, he was praised for his role in 2006's Driving Lessons opposite Laura Linney and Julie Walters.

It's funny, but I've been watching Kevin Smith movies for a long time now, but it was only as I was reading through Total Film's list of the Best & Worst: Kevin Smith, that I realized something that I never really thought all that much about before -- and what was my big epiphany? Well, I finally discovered that Smith's films in the end are just rom-coms with poop jokes. Smith may have been considered a foul-mouthed stoner for most of his career, but now that I've looked beyond his shtick, I've finally come to the conclusion that the guy is a big old softy. Which got me thinking: Is there such a thing as romance for boys?

Now if you're the observant type, you've probably noticed I'm not a dude, so what do I know, right? But I've been told time and again that I'm not the 'average girl' (whatever that means) when it comes to my movie tastes, so I'm going to put that theory to the test, and get in touch with my masculine side to create a list of romantic movies for men.

After the jump; My 5 picks for boy-friendly romance...

Hearing about a mixture of Lori Petty and David Alan Grier immediately brings to mind the wonderful '90s, when Petty was the tough-as-nails Tank Girl in a post-apocalyptic water-hungry world and Grier was one of the big names of In Living Color. But now the two have teamed up, and it's not for some quirky bit of comedy, but rather a super-heavy drama that's finally going to hit the big screen.

Variety reports that Phase 4 Films has picked up the U.S. rights to The Poker House, which just so happens to be Petty's directorial debut from a script she wrote with Grier. The Living Color alum stars with Selma Blair and Jennifer Lawrence in the story which can, simply and vaguely, be described as "a portrait of life in a poor small town in Iowa in 1976," as Variety says. But a little more specifically, it's the story of a young basketball playing girl who has heavy troubles at home -- think prostitutes, pimps, and the struggles of desperation and poverty.

For IGN, Todd Gilchrist compared the film to the heaviness of Boys Don't Cry, Monster, and In the Bedroom, but stated: "Ultimately, The Poker House just isn't a very good film, regardless of where it came from, who made it or what it's trying to say." So why bother? One, it's looking to be one of those films you love or hate. Two, it's based on Petty's actual experiences, so it could give you a look into the mind of our Tank Girl.

The film hits theaters on July 17.

What are your plans for the weekend? Here in the U.S., most folks are enjoying a long holiday weekend, filled with food, friends, and fireworks -- and maybe a free concert and a movie or two. On a personal note, with local temperatures soaring above 100 degrees for the past week or so, I'm staying inside and out of the weather as much as I can. And so I was pleased to find Jazz on a Summer's Day is available for free online viewing, courtesy of our friends at SnagFilms.

Directed by Aram Avakian and Bert Stern, the film documents the 1958 Newport Jazz Festival and the America's Cup sailing tournament, two events which go together like a cool drink on a hot day. Performers at the festival include Thelonius Monk, Gerry Mulligan, Anita O'Day (pictured), Dinah Washington, Chuck Berry, Louis Armstrong, and Mahalia Jackson. My knowledge of jazz is extremely limited, so all I can add to that list is that I very much enjoyed listening to all the musicians. As much as anything, I got a kick out of the spectator footage -- nicely dressed folks, a number in business suits (!), stylish sunglasses, bright colors, the whole nine yards -- and the dulcet-toned, super low-key announcer.

Frankly, this is a good doc for watching, and listening to, in the background. We've embedded it after the jump. More information is available at SnagFilms.

After the jump: Watch Jazz on a Summer's Day!

Our brothers and sisters over at TV Squad have busted through the boob tube and brought with them the following juicy bits of must-see eye candy:

• Seth Green is promoting the DVD release of Robot Chicken: Star Wars -- Episode II with a touring ice skating show.
• Despite his recent death we're still going to be seeing TV commercials starring pitchman Billy Mays.
• America's Got Talent has found there own version of Brit singing sensation Susan Boyle in Kevin Skinner, a chicken catcher (whatever that is) from Kentucky.
• Summer's only just started but TV Squad has screened some of CBS's new shows for the Fall. Here's what they think.
• For those who can't get enough weirdness in their life, the upcoming final season of Lost is going to be 18 hours long instead of 17.
• ...and finally, after hosting the Tonys and TV Land Awards, Neil Patrick Harris is about to close a deal that will have him hosting the Emmys.

From Pacman to Public Enemies, he's had more ups and downs than most other actors of his generation. Christian Bale has careened between extreme highs and deep lows, in the view of the folks at MovieFill, and they decided that a rollercoaster was the most apt visual metaphor for his career. A reduced-size version can be seen above.

They squeeze most of his films into the chart, though they left out a few. Before his sensational role in Mary Harron's American Psycho, he was very appealing in Metroland and got good notices in Todd Haynes' Velvet Goldmine; pre-Batman Begins / The Dark Knight, he was fun to watch as a frisky villain in John Singleton's Shaft and an uptight, would-be psychiatrist in Laurel Canyon. I don't agree with every notation in the chart. Harsh Times, for example, is cited as one of his "lows," but Bale was riveting. Two notorious off-screen incidents are included, which both affected his public perception, though it seems somewhat unfair to lump those in with his films.

Still, the rollercoaster graphic provides an easy way to look back and consider the range and daring of what he's done, especially earlier in his career. Recently he's been in more big-budget productions than anything else, and next up is David O. Russell's boxing biopic The Fighter. I'd love to see him in a couple of smaller indie flicks. What are your thoughts on Christian Bale's career so far? More ups than downs?

A few months ago, I saw two new sci-fi movies at the San Francisco International Film Festival, and now both are in limited release: Duncan Jones's Moon (21 screens) and Aristomenis Tsirbas' Battle for Terra (2 screens). And it got me thinking. These two movies couldn't be more different, and the main distinction between them is this. Moon is sci-fi based on an actual sci-fi idea. That means that science actually figures into the fiction somewhere. And Battle for Terra is the perfect example of a war film decorated with sci-fi trimmings; its big "twist" is that the humans are the bad guys and the aliens are the good guys, but aside from that the story unfolds exactly like a regular war film. The aliens, spaceships and other gizmos don't really figure into the major themes or plot.

It got me thinking about how many science fiction movies are really just war movies in disguise. (The current Terminator Salvation is another one.) It's very easy to transform the combatants of a war to alien races and make the cause of the war something fictitious, like the "spice" in Dune (1984). It's much easier to explain why people are fighting over that powerful stuff than why they're fighting over differences in religions or beliefs. And it's much nicer to justify battling alien invaders than it is to justify humans fighting humans. Frankly, I'm all for this little bit of deception, provided the sci-fi movies have three things. Battle for Terra has none of them.

I now take back any defense I gave Katherine Heigl for her comments about Knocked Up. I was already on my way there when I heard about The Ugly Truth and its premise where a smart and successful woman turns to a chauvinist to learn about nabbing her beau. I hit the brink with the second trailer where she actually tries to deep throat a hot dog and stick out her chest to get the guy, while he says every pervish thing he can think of. And now ... now there's vibrating underwear.

In the clip after the jump, so appropriately coming to us from Coming Soon, Heigl's character gets a little vibrating gift as she gets ready for a date. She decides to put on the panty rocket and then gets whisked off on a half-date/half-business meeting. At no time does she decide to excuse herself to take off these things, and in fact, gets into some hot trouble when the remote falls into the hands of a kid at the next table. Heigl channels When Harry Met Sally, poorly I might add, and Gerard Butler watches in amusement.

Heigl... How any woman who notes chauvinism in a Judd Apatow movie can then take on this schlock is beyond my comprehension. Furthermore, take away Butler's charm and put ... hmm ... let's say Steve Buscemi into the role -- is it still all romantically funny, or does it get downright creepy? Actually, now that would be a movie -- The Ugly Truth, where a romcom tries to deliver this bull pucky to audiences without a dapper leading man to make it palatable.

Michael Mann's latest crime opus has already hit theaters, and like most of his devoted fans, I was there opening day. Granted, my desire to be first in line for Public Enemies mainly had to do with my preoccupation with pretty boys in nice suits, but trust me, there were some loftier ideals at work. One of the reasons I love Mann's films is that he finds new ways to tell relatively traditional stories...which brings me to Miami Vice. Vice definitely wasn't one of Mann's most popular films, but I always defend this flick, and here's why: growing up, I watched Miami Vice, and I might have loved it, but even at the tender age of 10 I knew it was kind of silly. I had always wondered what the series would have looked like if the show had a little less cheap humor about Crockett and his alligator and a little more 'dignity' -- fast forward to 2006, and that's exactly what Mann did.

Gone were the over the top white suits and wise cracks (I mean, thank god I didn't have to watch Colin Farrell yucking it up with 'Elvis'), and instead, Mann replaced them with a darker, meaner, and (dare I say it?) more realistic Miami Vice. But just because Mann brought Vice into the present, didn't mean that those traditional touches were gone, and the teaser was proof. That first trailer had it all -- the music perfectly timed with every shotgun pump, speedboats, helicopters, guns and hot girls...and you can't get more Miami Vice than that.

After the jump; the teaser and a reminder of Vice on the small screen..

So you wanna rake in the indie cred in Austin at next year's South by Southwest Festival? You have a skootch more than a week left to submit proposals for panels and/or rate the ones that have already been submitted for SXSW. But lucky for you, the SXSW Panel Picker is at your fingertips any time of the day or night. This cool new tool allows for everyone to have a say in what panels get okay'd for the festival.

According to the official site, "SXSW thrives on the creative intersection that takes place when great minds get together, and we feel the Panel Picker truly celebrates that. We believe that the real experts at SXSW are the people who bring the event to life - you, the thousands of people who attend every year. You know what you want to see, so this is your chance to help make that happen."

Previous panels include "The Incredible Shrinking (Expanding?) Film Critic Profession," which featured Cinematical's very own Scott Weinberg, "From Script to Screen," a Stanley Kubrick discussion, and much more. Get on your horse and head over 'cause the Panel Picker closes its doors on July 10th.

You can also stay up to date on all the latest SXSW-related film news and reviews over at the official blog. They gave Erik Davis' earlier post on the real girl behind SXSW's indie hit 500 Days of Summer a nice shout out, too. Even if you don't get your very own panel, you should do yourself a favor and hit up the festival since it's filled to the gills with enough media to burn your retinas and pop your eardrums. Plus, you can eat some BBQ with the peeps you Tweet at. Hey, just sayin'.