Luckily for Tom Cruise, the latest rumors surrounding him have nothing to do with Valkyrie -- for once, there's some good news for the much-maligned movie star (a round of applause, please, if you will). Yesterday, Moviehole confirmed reports that Cruise is in talks to star as the US president in Philip Noyce's DC thriller, 28th Amendment -- and according to their sources, an official announcement will be made as soon as the paperwork has been completed.
Cruise would star opposite Denzel Washington as President Ben Cahill. Tom Cruise as President? Really? Plot follows the adventures of a commander-in-chief who learns that he has no real sway at the White House after uncovering a secret organization (run by Washington) that has been the 'power behind the throne' since WWII. Unfortunately for Cahill, this group has no qualms about bumping off presidents (grassy knoll, anyone?) and as he starts to put the pieces together, he becomes the next target -- which will probably give Cruise plenty of opportunities to show off that run of his.
Cinematical just received a tasty little scoop from one of our trusty top secret super delegate Hollywood insiders, and it's purty interesting (all you Spidey fans might want to listen up): Apparently, in the last few weeks, James Vanderbilt (Zodiac) has turned in a working draft of Spider-Man 4to the studio. However, according to our source, "his story arc has encompassed two films, making Spider-Man 5 shootable at the same time. The studio saw dollar signs and is in the process of reworking his deal to snatch up the story arc." Don't expect anything immediately, though, since we've been told both sides are still trying to negotiate the deal.
Right now we have no word on what that arc is or where Vanderbilt is taking his script, but it's interesting to know that they're looking to spread the next Spidey storyline across two films, instead of shooting one more and taking it from there. Obviously Sony has wiped away the bad buzz from Spidey 3 and is interested in stretching this franchise as far as they can. After three flicks, I can't see Sam Raimi, Tobey Maguire and Kirsten Dunst returning to shoot two Spider-Man films together (would be a lot to take on), but you never know. In the meantime, here's what we know: Looks like Vanderbilt is writing Spider-Man 4and Spider-Man 5, and the studio might look to shoot both flicks at the same time. As of right now, the studio has no comment. We'll update this post should we hear more ...
Other than the official videos released by Zack Snyder, it has been shockingly quiet on the Watchmen front. (And if you missed the videos, there's one on set design and one on costuming so far.) It was, unsurprisingly, a tight set. Those who visited (ahem) still aren't allowed to publish anything about it.
While watching the two behind-the-scenes videos thus far, I saw all those extras and wondered "How the heck did they keep them all quiet?" Well, they didn't. One of them has been sending quiet reports to Comic Related throughout production -- and the amount of stuff she knows is incredible. I'm amazed this has been lurking in a corner of the Internet and no one noticed. She was an extra during many a crucial scene -- and she has written the first description of Billy Crudup's performance as Doc Manhattan.
Her latest post features numerous photos, and a map, illustrating the sets. Start there and work your way backward. Now that this is hitting the wider Internet, it may be yanked, so enjoy it while you can. Those who have not read the graphic novel may want to avoid it, as it's full of spoilers. Those who have, and are worried about Snyder's handling of the material, will find many an answer here. If you too want to see the movie fresh, I will save your innocence and assure you of one thing -- the ending remains unchanged.
Would you like that shaken or stirred, Leo? Writing in Los Angeles Times, Jay A. Fernandez reports that Leonardo DiCaprio's Appian Way company recently came on board to produce a biopic about Ian Fleming, the creator of James Bond, based on an original script by Damian Stevenson. Fernandez speculates that DiCaprio might play Fleming: "During the writers' strike, DiCaprio showed interest in Fleming and his world, but he's looking to take the script in a different direction with a new writer."
Leo has produced other films in which he did not appear (The Assassination of Richard Nixon, Gardener of Eden) and already has a very full plate of upcoming projects. Still, it's fun to speculate because Fleming was such a fascinating character. According to Wikipedia, Fleming was a journalist first, including time in Moscow in 1933, then a stockbroker, before working in Naval Intelligence for Britain during World War II. He personally directed an intelligence-gathering unit that employed "lock-picking, safe-cracking, forms of unarmed combat, and other techniques and skills." He published his first Bond novel, Casino Royale, in 1953. Stevenson's script started on the eve of Fleming's wedding in 1952 before flashing back to his years as a journalist, playboy and spy planner.
Fleming sounds like it could be a good, thrilling drama. What do you think? Could Leo pull off the part? If not, who would you like to see as Ian Fleming?
Our Erik Davis should get a side job as a casting director after his comment about the upcoming A-Team movie. Back in December, he said: "Like, B.A. Baracas (played by Mr. T on the TV show) is listed as a '22-year-old walking steel with two-percent body fat.' Yup, expect Tyrese Gibson in this role."
Unless scheduling problems put a wrench in the whole thing, it looks like Gibson is, indeed, BA. He told Devin at CHUD the other day that while his participation isn't finalized, he's getting excited about taking on Baracus. But it won't be completely like we remember. There could be a mohawk (there best be!), but not the bling that would bury a baby. And get this -- he plans to work out and bulk up even more for the role.
I just don't know about all of this. The charm of the show, which is one of my '80s favorites, was the humor and the quirk. Not only does the casting have to be spot-on, but it just has to keep some of the strangeness. Yeah, it was the '80s, but it's not like BA was following trends. He had his own style. There best be a mohawk, bling, and a whole lotta foo'.
Attention, Marvel Studios: You forgot to call Jon Favreau about Iron Man 2 when you set the release date and stuff. Please put it on your To Do list. Thanks.
Favreau was on Howard Stern this past Tuesday, and revealed that he has not yet been signed for the sequel. "They haven't offered me anything yet. They're all talking -- they want to do it, they even announced a date."
I want to believe that it means nothing, that things are in such a talky, pat-on-the-back stage that they don't mean anything by it. But still, before you talked to Entertainment Tonight and announced a release date, wouldn't you slap the director on the back and say "I hope you're coming back for the sequel!" Just as a courtesy? A "Good job, Favs!"
After being pressed by Stern, Favreau revealed his director's salary -- $4 million for the first film, with a NET profit deal which will pay a very small percentage once the film begins to turn a profit. But that won't happen for years with the magic of movie bookkeeping. And when a film makes mega bucks, like Iron Man did, all previous contracts are pretty much thrown out the window. That includes those Iron Man actors who have signed on for sequels. "They're all signed for three but it doesn't work that way. That all goes out the window when you make $100 million dollars," said Favreau. "Because people want to have a good relationship with the people they are working with, and if they're making that kind of money, it's an understanding that they're going to negotiate." (Isn't this a fun look into the world of legalities? I thought so.)
At the moment we have to consider this a rumor, but can you imagine an Academy Award-winning psychotic oilman in a musical? Daniel Day-Lewis is in talks to replace Javier Bardem in Rob Marshall's film version of the musical Nine, according to Variety. As Monika Bartyzel told us a couple of weeks ago, Bardem dropped out of the lead role due to exhaustion. A spokesman for distributor The Weinstein Co. denied that a new lead had been set.
What an exciting prospect, though! Day-Lewis is famously selective about the roles he chooses, which means it's safe to assume that he was impressed by the elements that have been brought together. Those elements include: (1) script by Michael Tolkin, re-written by Anthony Minghella shortly before he died; (2) a fabulous cast of women, led by Nicole Kidman and Judi Dench (as Elisabeth Rappe reported recently), but also Penelope Cruz, Marion Cotillard and Sophia Loren; (3) director Rob Marshall. I know that Marshall isn't universally loved -- I'm not a fan of Chicago -- but presumably he has some kind of dazzling vision that inspires confidence among actors with hidden musical talents.
If he takes the part, Day-Lewis would play Guido Contini, "a famous film director who experiences personal and creative crisis while trying to balance all the women in his life." In the 1982 Broadway musical, inspired by Federico Fellini's 8 1/2, Raul Julia originated the role. I'm hoping for confirmation soon.
Ever since director Jason Reitman knocked one out of the ballpark with Juno, folks have been itching to see what the man takes on next. Yes, he's taken to producing a few things (like the Diablo Cody-penned Jennifer's Body), but what, exactly, will be his next directorial project. Well, according to Latino Review, they've heard from a source that the younger Reitman will direct an adaptation of the novel Up in the Air, written by Thumbsucker author Walter Kirn. Apparently, some digging reveals that Jason's dad Ivan Reitman is already executive producing the film after picking up a script from Sheldon Turner back in 2003.
Recently, Reitman told MTV that he was "writing something" and would "direct it at the end of the year." When pushed to reveal something, anything, Reitman said "it's a comedy and a drama [book adaptation]. Think Thank You For Smoking, but instead of political it's corporate." And if you look at the synopsis for Up in the Air over on Amazon (I've never read the book personally), it fits right into the above description.
Here's a taste: "Officially, Bingham is a management consultant, specializing in the lugubrious field of career transition counseling (i.e., he fires people for a living). But what Kirn's airborne protagonist is really doing is pursuing his own private passion, his great white whale: accumulating one million miles in his frequent-flyer account. As Up in the Air opens, Bingham has set out on a final, epic traveling jag. He intends to visit eight cities in six days, thereby achieving his own vision of Nirvana somewhere over Sioux Falls, South Dakota."
No official word on this one yet, but the pieces definitely seem to be coming together. Anyone read the book? Is it a good fit for Reitman?
UPDATE: LR provides the following update: I just got off the horn with Jason Reitman's publicist. She did in fact confirm that Jason is adapting the book but that no deal is YET in place for him to direct.
Joel Silver thinks he will, and he would probably know. Silver gave a long interview with Moriarty over at AICN, where the long and torturous road of Sgt. Rock was brought up. And the answer was surprisingly optimistic: "I'm going to make that. I'm going to make that very soon. With Guy Ritchie, I think." When pressed for more details, Silver would only reply with, "I hope so."
First, does anyone else think it's crazy that DC Comics would deliver a movie about a humble soldier on-screen faster than the Green Lantern or Wonder Woman? When I think of must-see DC properties, Sgt. Rock doesn't come to mind -- but that might just be me.
And if you're unfamiliar with Sgt. Rock, Wikipedia has his long and glorious WWII history. The short answer is that he is the WW2 soldier to end all soldiers, having fought in every campaign there was. Depending on who you talk to, he either died in the war or lived on to perform covert operations for the United States.
We've been hearing about a possible 21 Jump Street movie for awhile now, and if Entertainment Weekly is to be believed, it looks like that film might be happening with Apatow love child Jonah Hill, who's in negotiations to work on the screenplay and executive produce. We assume Hill would also star in one of the lead roles, though that probably depends on whether they go the strict comedic route with this. 21 Jump Street, the TV show, was a pretty big hit during the '80s, and it starred Johnny Depp as one of a group of young cops who went undercover in high schools to help troubled kids.
I dig it. Something like this would only work today if it was done with a sense of humor, I think, and so bringing in Hill to sprinkle on some Superbad-ish jokes might work well for the film ... even though all the raunchy stuff would make it a completely different monster, and when it was all said and done, would probably have nothing whatsoever to do with the original TV show (besides the name and the premise). Could you see 21 Jump Street: The Movie working as an Apatow-esque comedy? Does it work better as a drama? And who would you like to see joining Hill as a fellow undercover officer?
George Roush over at Latino Review grabbed one crazy exclusive. While touring the creature effects shop for Hellboy II: The Golden Army, he spotted a photo of a familiar X-Man: Hank McCoy, aka Beast. (Non comic book nerds may remember him as Kelsey Grammar with blue fur.)
It was not a drawing, but an actual photo, possibly computer generated. (Roush thinks it was an actual person in a Beast getup, though.) It was unmistakably of a young Beast, leaping through the air. And it was tagged Magneto.
Roush casually asked what the heck that was all about, and was told in a "isn't it obvious" way, "This is young Beast from the prequel they're gonna be doing. Magneto."
There's no real explanation as to what McCoy would be doing in a Magneto storyline, or how they would meet up. It is as random a choice of mutant as we're seeing with another X-Men: Origins film. I don't get it. Both Magneto and Wolverine are strong enough to stand on their own two storylines, which is why they were chosen for origin films in the first place. Is there some studio clause stipulating that they must choose a certain number of mutants to accompany the title character? It cannot be coincidence. I am willing to bet it means there will never be an X-Men 4, and that they are using these guest-star appearances to float more spin-offs. I'm probably overthinking that, and it is just a way to make more action figures.
When Marvel officially announced the release date for Thor last week (June 4, 2010), news quickly followed that Matthew Vaughn was no longer directing, a script was being fine-tuned and Marvel was in search of an actor to fill Thor's mighty shoes. Seeing as he's blonde, a very popular actor and has starred in films like Troy, the first name to pop into the minds of fanboys (and girls) everywhere was Brad Pitt. And whaddya know: Latino Review is saying this week that Pitt is at the top of Marvel's wishlist. Who woulda thunk it?
On paper, this does seem like a logical -- and realistic -- choice. Pitt is at a similar point in his career as Robert Downey Jr., Edward Norton and even Johnny Depp (who surprised fans by starring in three Pirates of the Caribbean films for Disney). If there ever was a right time for Pitt to take a leap and "do one for his kids," Thor would be that project -- especially since his gal Angelina has already starred in two Tomb Raider flicks. But then the guy would have to sign for at least three films (most likely), not to mention the fact that he'd need to be in phenomenal shape. Plus, perhaps Troy was Pitt's Thor, and maybe he's tired of all those giant blockbusters; maybe he'd rather do some smaller stuff.
However, then you look around Hollywood and, honestly, who else could play the Marvel superhero? Taking into consideration the move by Marvel to hire bigger names for their films, is there anyone else who could muscle-up and play Thor? Or is Pitt the only name that could truly bring this project to the next level?
Before we Bronte devotees could really whine and cry about the casting (there's still Ellen Page in Jane Eyre for that), it ceases to be. According to Variety, Natalie Portman has dropped out of the upcoming Wuthering Heights, leaving the film rather lost without a Cathy Earnshaw. According to Portman's publicist, the actress had a scheduling conflict with another project, which has not yet been announced.
So now, Ecross executives and director John Maybury are on the hunt for a new Cathy. As of yet, there are no contenders to the role, so now is our chance! Speak up, Cinematical readers, and let us flood the Internet with suggestions. Personally, I want to go back in time and import teenage Kate Winslet, Helena Bonham Carter, Kate Beckinsale or Lena Headey. As I cannot, I'm at a bit of a loss. Keira Knightley merits exclusion because of having played Elizabeth Bennett, and I think there's a rule that you can only play one standard of English Literature. I'm being rather stuffy in looking only to the UK, but nothing could ruin this movie faster than a wonky accent.
Interestingly, we finally have a name for Heathcliff. According to the Variety article, Michael Fassbender is in advanced talks to play the famous heinous, yet oh-so-sexy hero. I have only seen him as Stelios in 300, but he's getting good buzz for Hunger. Count me in the "intrigued, and not opposed" category, I guess, until further notice. His casting will mean my sister will be first in line for a ticket, that's for sure.
We can still whine and cry about the casting, though. It is our right as Internet film geeks, and ones with Gothic tastes. Oh heck, let's just gush about the book! We'll have our own Bronte Day here.
It looks like Frank Sinatra's youngest daughter and film producer, Tina Sinatra, has let the cat out of the bag. While talking with Sun Media recently, she discussed a new biopic on the way, from Universal, that would focus on dear old Rat Pack Dad. She started by cryptically saying that the man who would take on the film was "the most prominent Italian-American filmmaker" in Hollywood. First, they guessed Coppola, and then Martin Scorsese. Later, she confirmed that it was, indeed, Marty.
But according to Sinatra, this won't be a big gangster picture. The movie will show him innocent of true involvement with the Mafia: "I don't want him to be driving the getaway car. That would not be fair. But I trust him (Scorsese) implicitly." It seems that Scorsese is in "a reflective period and is willing to present the truth about her father." From the way Sinatra is talking about Marty's involvement, it sounds like he is in final negotiations, but hasn't yet signed.
Should this all get squared away and signed, it will be at least the sixth celebrity name added to Scorsese's roster in the last 4-5 years. There was Bob Dylan in 2005, then the Rolling Stones with Shine a Light, plus the upcoming George Harrison and Bob Marley docs, and The Rise of Theodore Roosevelt.
But what say you? Are you ready for Scorsese to take on Sinatra?
Just when you thought it couldn't get worse for Lindsay Lohan, Nikki Finke's Deadline Hollywood Daily reports that Lohan has been dropped from the true-life crime flick, Manson's Girls. According to DHD, "people associated with the movie told agents that Lohan quickly became more of a deficit than an asset when they discovered that they couldn't find any name actresses who wanted to co-star with her. (And even some name actors...) So now Lindsay is off the pic."
Ouch, that can't be good for her self-esteem, although the gossip gal in me would have liked to hear the names of some of those "name actors".